Rollings loved Popper’s signature high-register harmonica runs, but he had an alternative proposition. “I wanted to hear what it sounded like when he got down in the dirt of it,” he says. “Music, for me, lives in the body. It has to move me. It’s a neck-down affair.”

Bbl. Stock tank barrel, or 42 U.S. gallons liquid volume. Used to reference crude oil or other liquid hydrocarbons.

They gave Rollings tapes of their garage jams, and he quickly familiarized himself with the entirety of the Blues Traveler catalog. “They’re still a badass band,” says Rollings. “My goal was to try and get back to the feeling of the first record, the feeling of a band: No outside players, all songs they had written, a singularity of purpose.”

any action asserting a claim of breach of a fiduciary duty owed by any of our directors, officers, employees or our stockholders;

The trail starts by sailing down 500 feet over the course of a mile to Prospectors Gap, a major junction. While en route, you get views across to your destination, North Peak, as well as far below to the Livermore Valley.

Conventional, lengthwise benches typically cover about 60 percent of the floor area. (These run the length of the greenhouse.) The remaining 40 percent is for aisles, which are used to access plants. Consider changing to a peninsula arrangement that places the benches perpendicular to the sidewall, with 18-inch work aisles between and one 3-foot to 6-foot main center aisle. This will increase the grow space by at least 10 percent.

Abstract: Disclosed are wellbore flow control devices that allow on-site field adjustments to flow characteristics. One autonomous inflow control device (AICD) assembly includes a base pipe defining one or more flow ports and an interior, at least one AICD arranged on the base pipe and having at least one fluid inlet and an outlet in fluid communication with one of the one or more flow ports, and a plug configured to be arranged in at least one of the at least one fluid inlet and the outlet of the at least one AICD by a well operator on-site.

Very early in director Michael Mann’s 1995 crime drama, Heat, before the film’s first seizure-like armed robbery, before those chilling hockey masks, before Al Pacino and Robert De Niro’s dark duet, their cat-and-mouse hunt—before the famous diner scene, the stakeouts, Los Angeles’s fateful sprawl and hilltop hideaways—a girl, barely a teenager, is madly, fixedly searching for a pair of barrettes. They aren’t on the kitchen counter. She’s checked. Or under the sofa cushions, either. She refuses to wear the blue ones—they don’t match. “Mom!” she screams. “Where are my barrettes? . . . Mom! Pay attention! . . . Daddy’s gonna be here. I’m not gonna be ready! I can’t be late.” She begins to shake, choked panic forming in her throat. Her voice brittle, pained. Her brows taut like the arms of a clock. She needs the barrettes . . . Now. But not the blue ones—they don’t match.

Spencer Tunick is an internationally-recognized artist-photographer, best known for his large-scale installations of nudes. Dozens, hundreds, or even thousands of volunteers gather in striking public locations, strip, and arrange themselves as he directs. To my eye, his photographs have an anxiety-inducing, vibrating double meaning. On the one hand, they are dazzlingly conceived and beautifully composed. Without prejudice or judgment, they invite participants and viewers of all shapes and sizes into their community. They celebrate without restraint the fleshly quality of human life on Earth. And on the other hand, the vast scale of Mr. Tunick’s installations has a frightening, totalitarian edge. His distant camera and giant cast of characters liquefies his people, in a sense, into an amorphous human paste. In his hands, the population of a city becomes a machine expressing the will of a single mind. This unresolved tension generates, for me, much of the strange, dangerous glamor of his work.

Last year, John Frey, UW-Madison emeritus professor of family medicine and community health, co-authored a study that found that the largest demographic for suicides in Wisconsin are rural white men age 45 and older.

Inventor(s): Ercan Mehmet Dede (Ann Arbor, MI), Shailesh N. Joshi (Ann Arbor, MI) Assignee(s): Toyota Motor Engineering Manufacturing North America, Inc. (Plano, TX) Law Firm: Dinsmore Shohl LLP (14 non-local offices) Application No., Date, Speed: 14666881 on 03/24/2015 (1148 days app to issue)

Inside was the witch ornament that he purchased in the Black Forest in Germany. I was a little puzzled. It could have been an insult, but, no, he isn’t like that. It could have been just another ornament to add to the hundreds of Christmas ornaments I already had or, alternatively, a way to remember the many years I played the part of the witch at our local community Halloween event.